Kurt Perschke's RedBall Project

'Perschke's uncanny ability to conceive a tight and tense fit for RedBall, the contrast between the bright red sphere and the white Meier facade, with its perky geometry and pretensions to modernist rationalism, gave RedBall a particular humor. I personally felt a sort of spoof was at hand.'

'One of the best things about RedBall Project is that it's really very funny. The absurdity of this balloon-at-large makes you smile. It also brings, like all good sculpture, a compulsion to reach out and touch.'

'He exemplifies a generation that neither subscribes to the Modernist, formalist notion of redesigning, aesthicizing, beautifying, nor to the Postmodernist confrontation of injustices paved over and social needs abandoned. Aware of both, he maintains a flexible position. For artist such as Perschke, the possibilities for public art are open and multiple, unlimited as an engagement of sites and people-in-place.'

'Every time a passerby says - 'You know, I know the perfect place to put it!' - RedBall has succeeded in creating a moment of imagination. This is the core of the Project's goal, not the object itself, but how in relation to a site and in the context of its temporary movements, the passerby can immediately take it on as an imaginative act.'

'RedBall's occupation of the spaces that are taken for granted briefly foregrounds the invisible backdrop of urban life. What used to be neglected space becomes a realm of possibilities.'